Ownership, ontology, and the contemporary dance commons
نویسندگان
چکیده
Abstract This article considers the “commons” in relationship to contemporary dance United Kingdom. I highlight norms and expectations that shape sharing of this context by outlining four implicit rules govern circulation ownership. go on how dance’s outside legal structures is part due its ontology through examination choreographer visual artist Florence Peake’s work RITE (2018) Vaslav Nijinsky’s Le Sacre du printemps ( The Rite Spring ) (1913).
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ژورنال
عنوان ژورنال: International Journal of Cultural Property
سال: 2022
ISSN: ['1465-7317', '0940-7391']
DOI: https://doi.org/10.1017/s0940739122000170